Unrecounted

Unrecounted combines thirty three of what W G Sebald called his micropoems miniatures as unclassifiable as all of his works with thirty three exquisitely exact lithographs by one of his oldest friends, the acclaimed artist Jan Peter Tripp.The lithographs portray, with stunning precision, pairs of eyes the eyes of Beckett, Borges, Proust Jasper Johns, Francis Bacon, TriUnrecounted combines thirty three of what W G Sebald called his micropoems miniatures as unclassifiable as all of his works with thirty three exquisitely exact lithographs by one of his oldest friends, the acclaimed artist Jan Peter Tripp.The lithographs portray, with stunning precision, pairs of eyes the eyes of Beckett, Borges, Proust Jasper Johns, Francis Bacon, Tripp, Sebald, Sebald s dog Maurice Brief as haiku, the poems are epiphanic and anti narrative What the author calls time lost, the pain of remembering, and the figure of death here find a small home The art and poems do not explain one another, but rather engage in a kind of dialogue The longer I look at the pictures of Jan Peter Tripp, Sebald comments in his essay, the better I understand that behind the illusions of the surface, a dread inspiring depth is concealed It is the metaphysical lining of reality, so to speak.
Unrecounted Unrecounted combines thirty three of what W G Sebald called his micropoems miniatures as unclassifiable as all of his works with thirty three exquisitely exact lithographs by one of his oldest friends

  • Title: Unrecounted
  • Author: W.G. Sebald
  • ISBN: 9780811215961
  • Page: 312
  • Format: Hardcover
    • ☆ Unrecounted || ↠ PDF Read by ↠ W.G. Sebald
      312 W.G. Sebald
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      Posted by:W.G. Sebald
      Published :2018-04-07T02:45:27+00:00

    About the Author

    W.G. Sebald

    Winfried Georg Maximilian Sebald was a German writer and academic His works are largely concerned with the themes of memory and loss of memory both personal and collective and decay of civilizations, traditions or physical objects They are, in particular, attempts to reconcile himself with, and deal in literary terms with, the trauma of the Second World War and its effect on the German people.

    276 Comment

    • Maria Thomarey said:
      Jul 16, 2018 - 02:45 AM

      Μια αλλη ιστορια του ματιού

    • M. Sarki said:
      Jul 16, 2018 - 02:45 AM

      I have become a bit of a Michael Hamburger fan now because of his translations of Sebald's poems collected here and his wonderful essay on both W.G. Sebald and Jan Peter Tripp found within these same pages. I came into this book carefully and I had some experienced doubt as to what I was getting myself into. But the more I read now of anything by Sebald the better I like it and understand him. These are all marvelous little poems collected here in Unrecounted. And Jan Peter Tripp's work is under [...]

    • Gerhard Schoeman said:
      Jul 16, 2018 - 02:45 AM

      Stupendously beautiful, moving and haunting. Who else can write this:"This writing papersmellslike wood shavingsinside the coffin".

    • David Schaafsma said:
      Jul 16, 2018 - 02:45 AM

      A kind of collaboration between Sebald and one of his oldest friends, a photographer, Jan Tripp, who mainly shares lithographs of eyes in juxtaposition with Sebald's "micro poems". A conversation ensues, naturally, though not one many might be able to agree on, but this was for me really terrific, energizing. I love Sebald, and this is my first experience with his poetry. I'll try to write more later and explain more what I like about it, because I think most people who like poetry would find th [...]

    • Megan said:
      Jul 16, 2018 - 02:45 AM

      I have the version of this book that has a horizontal orientation. I think it is more visually striking. Also- for the fans: remember the scene in Austerlitz when he is describing the nocturama and compares the animals eyes to those of poets and thinkers? I do. And these beautiful photos called that paragraph to mind immediately.

    • Jenny said:
      Jul 16, 2018 - 02:45 AM

      Amazing and haunting work. Ten Stars.

    • Parrish Lantern said:
      Jul 16, 2018 - 02:45 AM

      This book is a series of Micropoems (33) in this slim volume by W.G. Sebald, each one is accompanied by a pair of eyes which are actually photo realistic lithographs created by Jan Peter Tripp. Some of the individuals featured are William Burroughs, Jorge Luis Borges, Rembrandt, Francis Bacon and Javier Marias plus various other people including Sebald himself.Most of these poems are around the 20 word mark or less and although they do not have a direct relationship to the picture, act as a dial [...]

    • Paul Fulcher said:
      Jul 16, 2018 - 02:45 AM

      "Unrecountedalways it will remainthe story of the avertedfaces"This book represents a collaboration between Sebald and the artist, and friend since their youth, Jan Peter Tripp.Tripp's illustrations dominate the book - highly lifelike lithographs of eyes taken from photos (Borges, Burroughs, Rembrandt, Sebald himself, perhaps most movingly Sebald's daughter who was later to be injured in the car crash that took Sebald's life). These are paired with brief "micropoems" from Sebald, the above being [...]

    • Jack Granath said:
      Jul 16, 2018 - 02:45 AM

      Sebald's first novel, Vertigo, hypnotized me when I read it, the way Peter Handke's writing does, no one else's. Andrea Kohler describes the effect well as "the melody of a melancholic litany." These poems don't achieve the same effect, but I liked them anyway. They are tiny haiku-like observations (for me, most reminiscent of Abbas Kiarostami's poetry in Walking with the Wind), paired with Jan Peter Tripp's lithographs of eyes, viewed in a fragmenting close-up and trompe-l'oeil detail.I was mor [...]

    • Andrea said:
      Jul 16, 2018 - 02:45 AM

      A really great interplay of images and poems that would stand well on their own, but are incredibly interesting in their interaction and dialogue as well. So overall very good, although I think I liked it more because I already enjoyed Sebald, perhaps thinking of it more as an addendum to his body of work than a stand-alone piece.

    • Loyola University Chicago Libraries said:
      Jul 16, 2018 - 02:45 AM

      A really great interplay of images and poems that would stand well on their own, but are incredibly interesting in their interaction and dialogue as well. So overall very good, although I think I liked it more because I already enjoyed Sebald, perhaps thinking of it more as an addendum to his body of work than a stand-alone piece.

    • Jonfaith said:
      Jul 16, 2018 - 02:45 AM

      my reshelving work upstairs began late, then was derailed as I stumbled upon this thin volume, one I bought 4 or so years ago. It is a collection of micropoems and an adjacent survey of the paintings of Jan Peter Tripp. there is a drizzle of the ghostly in these pairings.

    • Mark said:
      Jul 16, 2018 - 02:45 AM

      Gorgeously illustrated, the poems here are much better than After Nature.

    • Steve said:
      Jul 16, 2018 - 02:45 AM

      Michael Hamburger's introductory note is well worth reading, and makes me hope that a good biography of Sebald will appear soon.

    • Jennifer said:
      Jul 16, 2018 - 02:45 AM

      What a weird and cool little book. The eyes, the eyes.

    • Eduardo said:
      Jul 16, 2018 - 02:45 AM

      page 15The redspotson theplanetJupiterare three-hundred-year-oldhurricanes

    • Rutger-Jan said:
      Jul 16, 2018 - 02:45 AM

      Not a fan of poetry. Also, this seems all farfetched.

    • Catherine Corman said:
      Jul 16, 2018 - 02:45 AM

      When we stand in front of a picture by Jan van Eyck we are convinced that he succeeded in depicting the inexhaustible wealth of detail in the visible world.-E.H. Gombrich, quoted in Unrecounted

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