- Title: The Forest Lover
- Author: Susan Vreeland
- ISBN: 9780143034308
- Page: 263
- Format: Paperback
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In her acclaimed novels, Susan Vreeland has given us portraits of painting and life that are as dazzling as their artistic subjects Now, in The Forest Lover she traces the courageous life and career of Emily Carr, who, than Georgia O Keeffe or Frida Kahlo, blazed a path for modern women artists Overcoming the confines of Victorian culture, Carr became a major forceIn her acclaimed novels, Susan Vreeland has given us portraits of painting and life that are as dazzling as their artistic subjects Now, in The Forest Lover she traces the courageous life and career of Emily Carr, who, than Georgia O Keeffe or Frida Kahlo, blazed a path for modern women artists Overcoming the confines of Victorian culture, Carr became a major force in modern art by capturing an untamed British Columbia and its indigenous peoples just before industrialization changed them forever From illegal potlatches in tribal communities to artists studios in pre World War I Paris, Vreeland tells her story with gusto and suspense, giving us a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction.
Recent Comments "The Forest Lover"
I love good historical fiction, especially art history. The Forest Lover is the story of Emily Carr, Canadian artist at the turn of the 20th century, who travels deep into the forests of British Columbia to paint the indigenous people and the symbols of their culture. She also paints landscapes of the dark forests with a style uniquely her own. I've read 5 of Susan Vreeland's novels and she is on top of her game in every one.
I started this book several years ago, before I knew anything about Emily Carr, and couldn't finish it. Not knowing that many of the characters and situations were based on fact, I found it all too maudlin. Discouraged artist, downtrodden native cultures, stereotypes galore. It was like looking at a reflection, feeling that you're missing something critical, but not sure you really care. Since then, I've "discovered" Emily Carr and rank her among my favorite artists. Her paintings of northwest c [...]
Un romanzo storico che racconta la storia di Emily Carr, pittrice canadese realmente esistita, ponendo l'accento sulla sua carriera artistica, sul suo sviluppo personale come donna, sul suo rapporto con la cultura indigena e sulle difficoltà che ha dovuto affrontare a causa delle sue scelte di vita. Una storia appassionante, un interessante spaccato su un personaggio poco studiato, che in queste pagine si impara a conoscere ed apprezzare, sia come artista che come figura di donna femminista. El [...]
If being completely honest, I wasn't taken or impressed with "The Forest Lover" in the long haul, and much of the reason isn't because that Susan Vreeland wasn't a talented writer in some respects or even that Emily Carr's story isn't remotely interesting to hear. I was put off by the mundane portrayals, wandering/fragmented portrayal and the stereotypical coats that plagued this work. Really - this woman has a absolutely interesting life and it's presented in this way? I learned more about Emil [...]
Susan Vreeland is a glorious author and a favorite because I love historical fiction (and write it myself). To learn about various artists (or events or people in history) of the past through story deepens my understanding and delights me. This book is about Emily Carr who was a pioneer woman artist in the Pacific Northwest and who sought to overcome not only the prejudices of a woman artist traveling into untamed country, but to overcome the prejudices against the indigenous, native people and [...]
This is a biographical novel about the British Columbia artist Emily Carr. When I started this, I had never heard of Emily Carr. That is a loss now corrected. Vreeland takes some liberties about the life of Emily Carr: in the novel she has four older sisters, whereas in real life Emily was the second youngest of nine children; she says in the author afterward that some of the characters "are inventions. or derivations of actual people." I don't think Vreeland exaggerated Carr's passion for her a [...]
Canadian painter Emily Carr once said, "Nobody could write my hodge-podge life but me." With self-effacing humor, she claimed that biographers couldn't "be bothered with the little drab nothings that have made up my life."To Susan Vreeland, who's quickly become America's most popular biographer of famous artists, that must have sounded like an irresistible challenge. Her bestselling “Girl in Hyacinth Blue" followed the life of a single Vermeer painting from the 20th century back to its creatio [...]
Imagine painting with mosquitos thick as fur on your hands. Or standing in a deserted village of silence, surrounded by trees with ancient coffins splitting apart. Or staring up at 60-foot totem poles carved with Eagles, Ravens, Bears and Whales trying to communicate their message. Or being scrutinized by a 20-foot ogress—Dzunukwa—with nipples carved into Eagles’ heads with eyes and beaks. In The Forest Lover, Susan Vreeland gives us more than a biography of the painter Emily Carr. She giv [...]
"Paintings are inspired by nature, true, but made in the artist's soul. That's why no two individuals see the same thing and express it alike.To attempt to reproduce France or Canada without filtering it through one's sensibilities is mere copy work, done by people worried over the number of leaves on a tree. Though they may have harmonized their colors, they have not plumbed for the feel." --- Emily CarrAnd so Emily Carr answered her naysayers who critiqued her work. She was a woman far beyond [...]
This is my favorite Vreeland book! It was given to me by my boyfriend's Grandmother. She said it's a book worth passing on. She was right! Living in British Columbia, where Emily Carr found her love of painting, just makes this book even better! After reading this book, I went to the gallery to gawk at her paintings. This is one Canadian artist that everyone should know about. Vreeland does a wonderful job of creating Emily Carr. I only wish I could have known her!
The Forest Lover is historical fiction by author Susan Vreeland about the life and paintings of Emily Carr. Emily was born in British Columbia to a well-to-do family but was not content to spend her days going to church and becoming a high society woman. At the age of 7, her father gave her a paint set and from then on painting was her passion, as was the British Columbia countryside and the indigenous people who lived there. Against her families wishes, Emily sets out into tribal villages to pa [...]
Quite a lot about the place and time is woven well into the fictionalized biography. The characters become real in the course of the action and preparing the setting, which does not always happen in this sort of biographical writing. A very upbeat read, too. Citation that might give a feeling for the best and less best: "On the last night before Emily's return to Paris to collect her canvases and winter clothes, she and Frances lingered at the restaurant on the quay, sharing a tureen of mussels [...]
The Forest Lover - Susan Vreeland3 starsEmily Carr was a post impressionist Canadian artist who died in 1945. Forest Lover is an uneven fictionalized biography of her life as a struggling female painter. I find the woman and her work to be fascinating, but this retelling of her life leaves much to be desired. The story begins with Emily as a grown woman trying to scratch a living as an artist. She teaches art to well-to-do ladies and their children, but is continually dissatisfied with the limit [...]
This was the book that inspired my interest in Emily Carr, a famous early 20th century artist from British Columbia, who traveled up the coast to paint the Native American villages and totem poles. She also painted dramatic scenes of old growth forest and depressing scenes of cut forest landscapes. Her painting evolved from representational to a more "Fauvist" style as she became acquainted with other artists, and her own sense of emotional connection with her subjects grew. This is a fictional [...]
Stilted fomulaic writing. A disappointment. More like a romance novel than good historical fiction.
A magnificent telling of the story of one of Canada's most beloved and misunderstood painters, Emily Carr. This is a "faction" - fiction but with a lot of actual facts of Ms. Carr's life. And seems to capture what the real Ms. Carr actually went through to follow her passion - to paint the west coast First Nations homes, villages and particularly totem poles.It is also a sad but accurate statement on what was done to the First Nations people by the governments of British Columbia, Canada and by [...]
Extraordinary artist that I was unaware of before reading this book. What a spectacularly driven artist Emily Carr was. I want to go see her work now!
I loved learning about Emily Carr. However, I didn’t think the writing was very good.
Emily Carr was a pioneering painter, choosing as her subject the lush landscape and pre-European history of British Columbia. She focused her efforts first on recording the incredible art of the First Nations clans, especially as expressed in their totem poles, but soon expanded to capturing the spirit of the place - the serenity, power and life’s blood of the centuries-old forests that surrounded her. The path she chose was not an easy one. She refused to conform to the expectations of the wh [...]
so, maybe 2 ½-stars. i'm fairly torn over this book - i thought some of it was great, and i thought some of it was really not great. i felt the social message of indigenous rights to be handled rather ham-fistedly and, at times, insensitively. there was a very child-like or immature feeling of emily carr that vreeland presented. while i wasn't particularly bothered over whether that was accurate or not, i was frustrated that this felt like a very loose thread, with not enough given to create a [...]
I am so glad this book came up in my book club. I'd never heard of it before. It is the fictionalizedaccount of Emily Carr's life, many of her travels and her paintings. As someone who has recently moved to her neck of the woods, I luxuriated in the author's descriptions of British Columbia.I was also greatly impressed by the quality of Susan Vreeland's writing and research. I think it would be easy to get stuck in relaying the many facts of Carr's history, especially given the amount of writing [...]
having read most of what's written about Emily Carr I did appreciate the way Susan Vreeland brought out the sensitivity of the artist regarding her relationships with her sisters. Other books stated the friction but Vreeland put it into dialogue which brought out Emily's own voice. She was in fact able to hold her own (given some periodic breaks of running away) against the rigid put downs of her straight laced siblings. I thought it sweet of the author to give Emily the elusive romance. In real [...]
This is a well written novel about the life of Emily Carr, a British Columbian painter in the early 1900's. The book was very moving. Emily loved the forests and the Indians of Bristish Columbia and painted many totem poles and Indian villages before the artifacts and the Indian cultures disappeared. She travelled to places where even white men hadn't gone, and was not accepted in the white society of the time and place. I liked having a map of the British Columbian coast in end pages. My major [...]
A Christmas gift from a dear friend, this book was a gift many times over. Vreeland writes, "How can we think that other things pressing in on our lives excuse us from gratitude?"Emily Carr, the Canadian artist, is visiting Harold, in a mental institution. They are looking at the dogwood blossoms outside. So much about her painting, her friendships with Sophie and Harold, her brief encounters with Claude du Bois, her courage, her willingness to take risks, her independence, her struggles of bein [...]
Emily Carr was a Canadian artist consumed by the art of the west coast First Nations, despite opposition from her family and the art establishment.Ms Vreeland has a very interesting artist to profile in this novel, but the whole thing felt facile and without any deep examination. Usually one of her books leaves me with a sense of deeper understanding of what drove the artist. Not so here.The only reason that I can say that I am glad to have listened to this book is that it drove me to look for C [...]
I picked this up because I wanted to learn more about Emily Carr. I did and I didn't. Susan Vreeland's writing style in The Forest Lover demonstrates what happens when a popular middlebrow author attempts to write what he or she thinks is "arty" prose: an artificial herky-jerky mess. Like E.L. Doctorow's treatment of the Collyer brothers in Homer and Langley, Vreeland changed many basic facts about the Canadian artist's life. This artifice is completely unnecessary. Yet again, a very real, very [...]
Fictionalized account of American painter, Emily Carr, who studied in Paris, influenced by the impressionists, went on to paint and honor the tribes and traditions of the Northwestern native Americans. Emily Carr painted beautifully the verdant landscapes of British Columbia. It was not until she was into her fifties that she was recognized for her art. So glad to know more about the few women painters of early to mid 20th century.
I picked up this book in anticipation of seeing the Emily Carr exhibit at the AGO in Toronto. Although the writing itself is not inspiring, nonetheless, it has heightened my interest in seeing these paintings "in person." Despite her artistic training in England and France, she developed her own distinctive style. Though not in the famous Canadian Group of Seven, she shows an affinity with them and their love of the Canadian wilderness.
This would be a 4 1/2 star book. Really enjoyed the story of painter Emily Carr and her life spent striving to distill the essence of her British Columbia surroundings in her art. I'll be hunting down more books about her.
I really want to give it one star since it is a composite of all the things I despise about narrative versus substance in a "biography." Here is a book about a remarkable artist shrouded in imaginary conversations peopled with characters that may or may not have been part of her life. Why?
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